Fun with Gellner... and TRUMP

At the outset, I have to say I wouldn't urge anyone to take this post too seriously. It's just a bit of scholarly fun that further research might confirm offers some insight -- or mean nothing at all.

In his 1964 book Thought and Change, Ernest Gellner talks about how some nationalism emerges when a linguistic-cultural (or ethnic) minority contained within a larger state that is dominated by a different linguistic-cultural group. What happens is that the minority elite, which participates in the regime, recognises it could do better being big fishes in a small pond, as opposed to swimming around the big pond competing with other big fishes at a disadvantage. They form an intelligentsia which tells the great mass of the ethnic minority the reality of their situation, and motivates them to demand independence.

Some twenty years later, in Nations and Nationalism, Gellner developed one of those sociological typologies that irritate scholars of history, because the categories depicted can result in exceptions that must be hand-waved away somehow but which are meat and drink to historians. I found a useful table of these typologies in an academic article by Brendan O'Leary, 'On the Nature of Nationalism', published in the British Journal of Political Science in 1997.

So how does this apply to the amazing presidential trajectory of Donald Trump? As is well known, college-educated people (the elite) are, with the exception of Republican party regulars, not really on his side. The power-holders class is also somewhat split and those most heavily invested in globalisation appear to be sceptical about Trump. Meanwhile, he does better among the less well-educated. Gellner's typologies have six factors -- power-holders vs powerless, educated vs uneducated and shared culture vs culture not shared. These typologies intersect to produce various outcomes related to what state will emerge when confronted by fundamental economic change.

Your typical educated urban elitist probably watches HBO series, is interested in tennis and drinks craft beer. Meanwhile, smaller-city service worker watches Two Broke Girls, is interested in NASCAR and drinks mass-produced lager. Not much of a shared culture there.

Plug those into Gellner's typologies, and you confront a Type 4 outcome 'Ethnic nationalism'.

Now, actually, based on Gellner's criteria, both groups would count as Educated. I cheated a little bit there. But if the degree of education required to function in what the Marxisants call 'late capitalism' has gone beyond the simple 3 'R's of Type 6 'Classical liberal Western Nationalism' -- well, then, I might be on to something here!

Farewell Soho, Welcome 'Lone and Level Sands'

I am not especially fond of the Metropolitan Media Class lamenting the passing of some icon that they probably stabbed in the back only a few years earlier, but I found eulogy in The Guardian to Soho rather touching. I had the good fortune to encounter the dying embers of Swinging London's Soho by virtue of working nearby in the middle 1980s. People I knew were still lurking around the Colony Room or the Coach and Horses, and Kettner's still served a cheap hamburger with its cocktail piano. I was only on the very fringes of this scene, but it meant a lot to a boy whose journey from the white edges of Detroit's had brought him to the heart of the capital of his own cultural world.

However, I knew some time ago the game was up for my London. There was a sort of last sputtering of the fire during Tony Blair's first term, which clouded my judgement somewhat. Memory suggests that I came to the realisation that clinging to central London's Bohemian past was a hopeless effort in about 2005 or 2006, if not a year or two earlier. From that point on, I began thinking about how to make a dignified exit. But enough about me, let me briefly comment on two points raised by the article.

From the 1960s onwards, the legend of Swinging London, which still partly defines the way the city is seen, was traceable to the coming-together of working-class talent and loose-living bohemia – precisely the elements that are now in danger of being chased out of the centre of central London altogether. From the mods, through the punks and on to the New Romantics and creators of what was eventually called Cool Britannia, these people pioneered the subcultures that ensured so many of us were gripped by the London-obsessed mentality Julie Burchill memorably called capitalism.

This is not some romanticised image of the past. What made London a cultural magnet, and Britain from 1945 until 2005 possibly the best place to be in the world was the remaking of the realm into a more socially, economically and culturally mobile country that was denounced by a class of people who believed it to be anything but that. As things changed and got better, people could only grumble about how the class system was constricting British potential. Anyting but! @Thatchersrise is marking the ascent to a political office of a woman whose father kept a shop in a small English town. And she succeeded the son of a humble Broadstairs carpenter, at a time when the son of a factory chemist was prime minister. Meritocracy indeed.

Since November, a group called Save Soho.. want(s) its warren of streets declared a Special Policy Area, an instrument already used to protect the tailoring trade in Savile Row and the art business in St James’s. The group’s co-founder, a musician called Tim Arnold, tells me that he is in conversations with the Greater London Authority; he has raised the latter proposal, only to be told Soho is “too diverse”. His bafflement is obvious. “So they’re telling me that what should be protected amounts to the reason it can’t be protected,” he says.

Yes, Mr Hudson, it is a sad fact that our lives are now dominated by the concept of The Model. This is taught in business schools to MBAs, and their attitudes have seeped into the entirety of society. The Model pares things down to the essentials, The Core of the Project, and discards organic accretions that distract from an entity's Mission Statement. KISS — Keep It Simple, Stupid — prevails. Conglomerates are a thing of the past. Old-timey Soho has no place in this world. There is no room for sentiment in The Model approach. It underlies consumer segmentation, YouTube subcultural channels and everything that is going to separate my world from that of my children's. It is, of course, ruthlessly scientific, characteristic of globalisation and rooted in industrial society.

The thing is, the Metropolitan Media Class find the Law of Unintended Consequences has undone all their good works. It was their relentless assault on the traditional institutional structures and attitudes that allowed this to happen. Their dislike of the Church, of smug suburbia, of out-of-touch judges and the House of Lords, removed the entire institutional framework that stood in the way of the The Model approach. If one removes all the social measures of value — an ephemerally absolute as opposed to a constant relative standard — all one is left with are the monetary ones. The Metropolitan Media Class always wanted Britain to be more like somewhere else, whether it was America's convenience and enterprise or Continental cafés and city-centre living. So, of course, everyplace becomes like everyplace else, and nothing beside remains.

Lava me, Domine, ab iniquitate mea?

The messy truth is that a country’s economic specialism is, if not ingrained, then certainly the expression of its particular history, culture and circumstances. It is path-dependent, and hard to change with anything as temporal as public policy. Political maturity lies in recognising that Britain’s specialisms are in services, especially banking, and some sophisticated corners of industry. Its competitive advantages are openness, ease of doing business, world-class universities, the English language and – here is the warning to Westminster’s increasingly hectoring and interfering politicians – a lack of ministerial caprice.

That's from an opinion piece that appeared in the Financial Times last week. What it presents is a properly conservative understanding of public policy. Before more radical groups in the United States hijacked the word 'conservative', it was broadly understood in the English-speaking world as a political stance that recognised change was an inevitable fact of life, but that change could be channelled, rather than dammed. Gradually, as change flows around the landscape, natural erosion alters shapes. Treating change as water, rather than as a shattering earthquake or volcanic eruption, limits the stress on the surrounding built environment. Even so, I find the article imperfect. The fact is, the Global Financial Crisis of 2008 challenged the structure into which the British economy had been shaped during an era that began with the rise of the EuroDollar market, and really took off with the collapse of the Bretton Woods system in the early 1970s. The water-levels were rising, but policymakers in Britain neglected to construct all the requisite barrages and weirs needed to deal with the coming flood.

But, continuing this blog's move away from 'war' and towards culture, the article does suggest that Cultural History is a guide to big issues of public policy. One could argue that the contrasts between the Church of England, the Church of Scotland and the Roman Church in Ireland go some way towards explaining the different attitudes towards the European Union in those countries. Scotland's presbyterian national church keeps much closer to its European models than England's. The English were less keen to let go completely of elements of the Catholic church and made for themselves a hybrid that foreshadowed the cultural hybridities of the passing Post-Modern Age. This Post-Modern movement of hybrid forms was one that English popular culture stood in the forefront through its musical contributions. The American media are noticing a similar process has been going on within their own country, a process that is highlighting an obsolescent perspective on racial problems, but once again calls into question the nature of a cultural entity called 'America'. (As if Americans could ever escape questions of their essence.)

For historians, the problem is that while History is lived going forwards, History is written looking backwards. In looking at how hip-hop culture is used by non-blacks, it at least superficially resembles the familiar 'appropriations' of White America, going at least as far back as Minstrelsy. Only time will tell if that is indeed the case, but applying the traditional concerns about 'appropriations' may not itself be helpful. It certainly did not readily apply to the white English working class males who gave us 'pop music'. If the old racial system is eroding, there is the potential that a new hybrid is emerging, one that could be more fair to all participants.

And, while Janan Ganesh is quite right to argue that Britain's enduring history of a dominant financial sector is not actually a problem to be fixed, but as a crucial part of the solution, he is wrong to highlight politicians as capricious administrators breaking with British traditions. They are responding to a real demand for changes that may, in fact, be impossible to deliver without creating some kind of 'Church of England' hybrid.